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Welsh photographer Philip Jones Griffiths is one of the reasons we don’t see videos of American “smart” bombs devastating Baghdad neighborhoods. His 1971 book of photographs, Vietnam, Inc., helped change the world’s notion of war forever and made Pentagon officials adamant about keeping the media away from any real action. Griffiths’ first retrospective, Dark Odyssey (New York: Aperture, 1996), is a collection of over 100 duotone photographs. In addition to Vietnam, Griffiths turns his gaze on the dark sides of the U.S., Wales, New Guinea, Japan, and others.

The publisher’s blurbs for Catch: A Discovery of America (Denver: MacMurray & Beck, 1996) aim a little high (“In Catch, we discover who we really are”), but the book, about the underrated pastime of playing catch, is a clever idea nevertheless. Colorado journalist Nick Hartshorn traversed the United States, talking with everyone from a hot dog salesman in Vermont to a gang member in Los Angeles to filmmaker Spike Lee in New York City. While the somewhat naive book never quite reaches its potential, Hartshorn’s enthusiasm for his subject is, well, catching.

Socialist punk-folk rocker Billy Bragg wears his new fatherhood well, and the incongruity between punk and dad is beautifully unsettling on William Bloke (New York: Elektra, 1996), his first release in five years. On “Brickbat,” he sings over a gorgeous cello figure, belying bitterness: “I used to want to plant bombs at the Last Night of the Proms. But now you’ll find me with the baby, in the bathroom.” The closest thing to a protest singer to emerge from the ’80s, Bragg returns to the lone guitar and busker’s amp sound of his early work on several tracks, mixing in a full horn section on others.

Just in time for an inauguration party, Diane Milliken’s bipartisan cookbook, Capitol Cuisine: Recipes From The Hill (New York: W.W. Norton, 1996), gathers the favorite recipes of current and former Beltway personalities and their spouses. From first lady Hillary Rodham Clinton’s now-infamous chocolate chip cookies to former first lady Nancy Reagan’s monkey bread, this collection is a gastronomic remedy for partisan bickering. Dietitians will no doubt draw their own conclusions about how Sen. Strom Thurmond’s miniature ham rolls have led to his longevity, but leave it to political analysts to chew on the true significance of former Sen. Bob Packwood’s pick: wild rice stew.

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

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In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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