July/August 2004 Issue

In Exile Deo

Juliana Hatfield. Zoë.

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No longer an indie-rock ingenue, Juliana Hatfield now makes smart guitar pop—but she
hasn’t lost her edge. Sweet melodies and mild-mannered vocals aside, her songs offer an unsparing
tour through relationship hell, chronicling the ways lovers mistreat each other, and themselves.
“Get in Line” finds Hatfield trying to cure the pain of lost love with a scorching guitar solo. She
plays the villain on “Tomorrow Never Comes,” sighing “In time, you might forgive me” to delicate
strains of violin. Hatfield brings urgency to her struggles with maturity on “Dirty Dog,” while
“It Should’ve Been You” sets self-loathing to a toe-tapping beat. In Exile Deo will make
listeners feel better about their own problems.

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In "It's Not a Crisis. This Is the New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, how brutal it is to sustain quality journalism right now, what makes Mother Jones different than most of the news out there, and why support from readers is the only thing that keeps us going. Despite the challenges, we're optimistic we can increase the share of online readers who decide to donate—starting with hitting an ambitious $300,000 goal in just three weeks to make sure we can finish our fiscal year break-even in the coming months.

Please learn more about how Mother Jones works and our 47-year history of doing nonprofit journalism that you don't elsewhere—and help us do it with a donation if you can. We've already cut expenses and hitting our online goal is critical right now.

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