These 16 Albums Might Actually Make 2016 Tolerable

Take a break from politics and check out some of the year’s best music.

eclipse_images/iStock

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.


Each year, Mother Jones‘ favorite music critic browses through hundreds of new albums and pulls out maybe a couple hundred for his weekly reviews. But only a few can make the final-final cut. Below, in alphabetical order, are Jon Young’s super-quick takes on his 15 top albums for 2016. (Feel free to heartily disagree and share your own faves in the comments.)

1. William Bell, This Is Where I Live (Stax): The tender, moving return of an underrated soul great.

 

2. David Bowie, Blackstar (Columbia/ISO): The Thin White Duke’s eerie, haunting farewell.

 

3. Gaz Coombes, Matador (Hot Fruit Recordings/Kobalt Label Services): Grand, witty megapop from the former Supergrass leader. (Full review here.)

4. Bob Dylan, The 1966 Live Recordings (Columbia/Legacy): A massive compilation of every note from his notorious tour. (Full review here.)

5. Margaret Glaspy, Emotions and Math (ATO): No-nonsense relationship tales that rock out with insistent verve.

6. Hinds, Leave Me Alone (Mom + Pop/Lucky Number): Frayed, rowdy femme-punk straight outta Madrid.

7. Jennifer O’Connor, Surface Noise (Kiam): Tuneful, deadpan folk-pop with a cutting edge. (Full review here.)

8. Brigid Mae Power, Brigid Mae Power (Tompkins Square): Hair-raising solo acoustic performances by an Irish chanteuse. (Full review here.)

9. Dex Romweber, Carrboro, (Bloodshot): A colorful Americana kaleidoscope from a master balladeer and rockabilly shouter. (Full review here.)

10. Sad13, Slugger (Carpark): Sadie Dupuis’ solo debut, poppier than her band Speedy Ortiz, and exuberantly feminist.

11 & 12. The Scientists, A Place Called Bad (Numero Group); and Blonde Redhead, Masculin Feminin (Numero Group): The great Chicago reissue label scores again with retrospectives devoted to The Scientists, Australian trash-rockers from the ’70s and ’80s, and Blonde Redhead’s ’90s shoegaze-noise recordings amid the chaotic New York scene. (Full review here.)

13. Allen Toussaint, American Tunes (Nonesuch): The gorgeous final works of the New Orleans R&B genius. (And here’s our recent chat with Toussaint collaborator Aaron Neville.)

14. A  Tribe Called Quest, We Got It from Here…Thank You 4 Your Service (Epic): The long-overdue return, and devastating goodbye, of a hip-hop institution.

15. Various Artists, The Microcosm: Visionary Music of Continental Europe, 1970-1986 (Light in the Attic): An eye-opening survey of vintage new age music in all its oddball, unexpected glory.

16. Heron Oblivion, self-titled (Sub Pop): Mind-scorching psychedelia that fuses deranged guitars and Meg Baird’s dreamy vocals.

TIME IS RUNNING OUT!

We have an ambitious $350,000 online fundraising goal this month and it's truly crunch time: About 15 percent of our yearly online giving usually comes in during the final week of the year, and in "No Cute Headlines or Manipulative BS," we explain why we simply can't afford to come up short right now.

The bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. And advertising or profit-driven ownership groups will never make time-intensive, in-depth reporting viable.

That's why donations big and small make up 74 percent of our budget this year. There is no backup to keep us going, no alternate revenue source, no secret benefactor. If readers don’t donate, we won’t be here. It's that simple.

And if you can help us out with a donation right now, all online gifts will be matched thanks to an incredibly generous matching gift pledge.

payment methods

TIME IS RUNNING OUT!

We have an ambitious $350,000 online fundraising goal this month and it's truly crunch time: About 15 percent of our yearly online giving usually comes in during the final week of the year, and in "No Cute Headlines or Manipulative BS," we explain why we simply can't afford to come up short right now.

The bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. And advertising or profit-driven ownership groups will never make time-intensive, in-depth reporting viable.

That's why donations big and small make up 74 percent of our budget this year. There is no backup to keep us going, no alternate revenue source, no secret benefactor. If readers don’t donate, we won’t be here. It's that simple.

And if you can help us out with a donation right now, all online gifts will be matched thanks to an incredibly generous matching gift pledge.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate