The next few months are make-or-break for Mother Jones’ fundraising, and we need more online readers to pitch in than have been of late. In "It's Not a Crisis. This Is the New Normal," we take a level-headed look at the brutal economics of journalism, why investigative reporting like you get from us matters, and why we're optimistic we can grow our base of support in a big way—starting with hitting a huge $300,000 goal in just three weeks. Please learn more and donate if you can right now.
The next few months are make-or-break for Mother Jones’ fundraising. We need to raise $300,000 quickly, and we need more online readers to pitch in than have been. Please learn more in "It's Not a Crisis. This Is the New Normal," where we go into the brutal economics of journalism, and what makes Mother Jones unique and worth supporting if you can right now.
Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.
Matthew Houck, who has long recorded and performed as Phosphorescent, performed with his band last month at the East Williamsburg venue Brooklyn Steel for the second to last show (opener: Liz Cooper & the Stampede) of their European and US tour.
Houck, best known for his breakthrough album, Muchacho, recently released the follow-up album C’est La Vie after a five year recording hiatus—during which he relocated to Nashville, got married (his wife, Jo Shornikow, plays keyboards in the band), had two children, and survived a life-threatening bout of meningitis.
Phosphorescent’s use of meticulously layered sounds and tension-building repetition of musical forms—combined with roots-informed songwriting—seek out cracks of light in the darkness, cathartically rendering his feelings of alienation as something human and universal.
The following photos, from the Brooklyn Steel show, are the first installment of On The Road, a visual essay series that depicts the creative lives of notable musicians, onstage and off.
Keyboardist Scott Stapleton Martin checks out the room at Brooklyn Steel.
Soundcheck. Left to Right: Kelly Doyle, David Torch, Chris Marine, and Rustine Bragaw.
Houck checks on daughter Dove, playing basketball with show opener Liz Cooper.
Houck talks with a fan, the screenwriter Paul Schrader, who is known for his work on Raging Bull and Taxi Driver.
A pre-show toast.
Jo Shornikow, Phosphorescent’s keyboardist.
Performing at Brooklyn Steel.
Houck gets intimate with the crowd.
Phosphorescent fans in the front row.
Houck bids the audience adieu.
On The Road is a visual essay series by photographer Jacob Blickenstaff, illustrating the creative lives of notable musicians at work, onstage and off.
Can you pitch in a few bucks to help fund Mother Jones' investigative journalism? We're a nonprofit (so it's tax-deductible), and reader support makes up about two-thirds of our budget.
We noticed you have an ad blocker on. Can you pitch in a few bucks to help fund Mother Jones' investigative journalism?