Chart Beat: Billboard Top Ten Albums

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Do you ever glance at the Top Ten and go, “what the hell is all that crap?” Not my Top Ten, that’s the reaction you’re supposed to have to that one. The actual Top Ten. Well, me too. Together we can figure it out.

1. Common – Finding Forever
Hey, good for Common: his first #1. The rapper’s last album, the slightly superior Be, sold more its first week (185,000 to Forever‘s 150,000), but only hit #2. One side benefit of the music sales slowdown: it’s easier to climb the charts!

2. Korn – Untitled
Who’s even in Korn any more? One guy found Jesus and left, the drummer’s “taking a break.” Are they still spelling their name with a backwards “R”? Because that’s awesome.

3. Various Artists – Now 25
This comp features “Buy U a Drank,” “Thnks Fr Th Mmrs,” and “U + Ur Hand.” Whs byng ths sht?

4. Soundtrack – Hairspray
People say it’s good (it’s still #3 at the box office), but whatever. If nobody stands in a playpen filled with fish and shouts “Who wants to die for art,” I’m not interested.

5. Miley Cyrus – Hannah Montana 2
I had to look this up: it’s a Disney Channel show about a teenage girl who has a “secret life” as a famous pop star. You know, when I was 13, I was listening to Laurie Anderson. Kids these days…

6. Sean Kingston – S/T
Here’s something. Kingston’s 17 years old, his single “Beautiful Girls” is the syrupy, quasi-reggae one that samples “Stand By Me,” and it’s currently our #1 song, possibly helped out by Billboard’s recent addition of streaming statistics to the chart methodology.

7. Kidz Bop Kids – Kidz Bop 12
This edition of the sing-along series includes screamy versions of “Umbrella” and “The Sweet Escape,” but nothing as awesome as their version of Franz Ferdinand’s “Take Me Out” from #8.

8. T.I. – T.I. vs. T.I.P.
The fair-to-middling “concept album” (it’s a battle between two parts of himself, see) from the Southern rapper slips from #5 this week. I put “You Know What It Is” in a Riff Top Ten in July, and I stand by that, but the rest of the album’s kind of dull.

9. Fergie – The Duchess
While I’ll admit to kind of enjoying the retro-freestyle beats of “Fergalicious,” nothing else about this deserves any attention whatsoever.

10. Linkin Park – Minutes to Midnight
Did anybody else find “What I’ve Done” a really incongruous track to accompany the “Transformers” commercials? Like, the only way the lyrics make sense conceptually is if you think of Megatron singing it, filled with regret about the destruction he has wrought. And I don’t think that’s what they had in mind.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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