New Music: Burial – Untrue

Let our journalists help you make sense of the noise: Subscribe to the Mother Jones Daily newsletter and get a recap of news that matters.


BurialA few weeks ago I posted about Metacritic’s tally of the best reviewed records of the year, and how a surprise candidate, The Field, had snuck up to #1. Well, there’s a new #1 on their tally this week, and it’s another left-field candidate: UK dubstep wizard Burial, beating the Field by one point and Radiohead by three points. Sure, the album just came out, so its critical average is based on far fewer reviews, but still, that’s a bit of a shocker for an album that hasn’t topped any individual lists I’ve seen so far. So what’s it all about?

Dubstep is a wonky offshoot of two-step, a strange and wonderful microgenre of dance music that had a brief dominance of UK dance floors and pirate radio stations in the late 90s and early Oughts. Two-step is characterized by a severely syncopated bass drum, throbbing, walking basslines, and a skittering snare drum, typically overlaid with a traditional soul vocal track, so the music ends up being a strange confluence of drum ‘n’ bass intensity with R&B richness. Dubstep, as its name indicates, both ratchets down the pop trend of two-step and touches base with reggae, allowing half-time rhythms to emerge and the vocals to exist only as echo-y, repetitive samples.

It’s also a hell of a lot darker, and Untrue is one bleak album. It’s split between tracks with a drum beat and tracks without, and while the tracks with drums utilize the skittery rhythms of two-step, it’s hard to see anyone dancing to them: the bass is so sludgy, so overlaid with gargantuan reverb and crackly effects, it’s much more suitable for headphones. Moreover, the vocals that float in and out are mere disconnected phrases, making them all the more devastating: “because you lied…” repeats the title track, and “Archangel” keeps asking, “tell me I belong.” These songs have a dark majesty that’s not matched by the drumless, ambient tracks; those seem a little aimless and generic.

Untrue throws into sharp relief the unfair opposition set up recently in the New Yorker by Sasha Frere-Jones, who gives both white and black music too little credit in assigning them their signifiers. Burial, whoever he is, has managed to stir up so many influences, like R. Kelly in an Aphex Twin blender, that it’s hard to tell what’s what; moreover, its lyrical focus on the abject misery of a broken heart could not be more universal. It may not be record of the year, but it sure is something.

Burial – “Archangel” (audio only):

THE TRUTH IS...

what drives Mother Jones' team of 50-plus journalists. The truth is powerful, as evidenced by how hard those with something to hide, or profit to gain, seek to discredit it. The truth, stated boldly and reported meticulously, is what draws so many readers to Mother Jones.

And the truth is, going into the final 4 days of the year we still needed to raise $TK to hit our $350,000 goal and start 2021 on track. It's nerve-wracking, wondering if the big spike we normally see at the end of December is going to be another thing that doesn't go as planned in 2020, or worse, if, now that Donald Trump is set to leave the White House (for longer than a taxpayer-funded golf trip to a property he owns), folks might be pulling back from fighting for the truth and a democracy and think the hard work is done.

It's not, and if you can right now, please consider a year-end donation to support our team's fearless nonprofit journalism so we can close that big fundraising gap and finish the year strong, ready for all that's ahead in 2021. Whether you can give $5 or $500, it all matters in keeping us charging hard, and we'd be grateful.

payment methods

THE TRUTH IS...

what drives Mother Jones' team of 50-plus journalists. The truth is powerful, as evidenced by how hard those with something to hide, or profit to gain, seek to discredit it. The truth, stated boldly and reported meticulously, is what draws so many readers to Mother Jones.

And the truth is, going into the final 4 days of the year we still needed to raise $TK to hit our $350,000 goal and start 2021 on track. It's nerve-wracking, wondering if the big spike we normally see at the end of December is going to be another thing that doesn't go as planned in 2020, or worse, if, now that Donald Trump is set to leave the White House (for longer than a taxpayer-funded golf trip to a property he owns), folks might be pulling back from fighting for the truth and a democracy and think the hard work is done.

It's not, and if you can right now, please consider a year-end donation to support our team's fearless nonprofit journalism so we can close that big fundraising gap and finish the year strong, ready for all that's ahead in 2021. Whether you can give $5 or $500, it all matters in keeping us charging hard, and we'd be grateful.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate