Ahoy, Plastics!

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IMG_0004.jpgAs Mother Jones reported last October, bisphenol A, a chemical used in the production of plastics, is under serious scrutiny for mimicking the role of estrogen. And last Monday, the government’s National Toxicology Program released a damning draft brief on the potential endocrine disruptor. As a result, last week saw a number of new companies distance themselves from BPA; most notably the iconic water bottle manufacturer Nalgene will pull bottles made with the chemical. By the end of the week, Canada announced a “precautionary and prudent” ban on the sale of baby bottles with BPA.

One of the issues at hand is that the U.S. alone produces bisphenol A at a staggering rate of billions of pounds per year—2004 saw 2.3 billion pounds produced—for use in nonbiodegradable polycarbonate plastics and epoxy. So even if a few companies, or even a few countries, ban the substance, we still have to deal with an absurd amount of lingering, toxic particles. And since BPA doesn’t biodegrade, where does it all go?

Vice Broadcasting Service (VBS)—the broadcasting arm of the bohemian magazine known for publishing provocative articles like “The Vice Guide to Shagging Muslims”—gives an entertaining, albeit disheartening answer. As part of their Toxic series, VBS sent host Thomas Morton on a three week voyage to uncover what happens to our discarded plastic goods and the chemicals they’re made with. The result is a refreshingly serious diary, though still loaded with enough cynical wit to capture the attention of our spastic youth.

In “Garbage Island,” Morton and his team join forces with ocean advocate and seadog Capt. Charles Moore on a quest to discover a mythical floating island of waste, the home of discarded plastics, described as twice the size of Texas. Moore, who has made numerous trips in pursuit of trash “accumulation zones,” is a die-hard environmentalist.

The entire 12 episodes are interesting and worthwhile, at times sad and funny, but I found the most impact comes as the crew begins to internalize the true, troubling significance of our wasteful convenience culture. As everything from planter boxes to helmets float alongside their vessel, Moore explains how plastic toxins, like bisphenol A, first accumulate in jellyfish and then work their way up the food chain into our bodies. So even as companies earn public praise for pulling BPA products from the shelves, the animal kingdom, including us, still faces years and years of toxin-induced disease.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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