British Police to Ask Music Venues for Ethnic Background of Audiences

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mojo-photo-feargal.jpgOh those Brits. We just established that they really seem to like Kings of Leon, but it turns out some of their own most exciting musical subcultures give the police the willies. The UK Independent reports that music venues are to be subjected to a “new piece of bureaucracy” called Form 696, an eight-page questionnaire asking for private information about performers as well as the “ethnic background” of the likely audience. Eh, on what grounds, constable?

The police say they need the information demanded on the eight-page Form 696, which runs to eight pages, so they can pinpoint which acts and venues attract troublemakers, and make sure venues are safe. … The scheme was introduced by the Metropolitan Police after incidents at live music concerts in 2006, some involving guns. In theory, it applies to any licensed premises where there is live entertainment, but Detective Chief Superintendent Richard Martin, head of the Met’s pubs and vice squad, said that in reality it will apply only to performances likely to draw large crowds.

The form actually gives hints about what kinds of music might raise eyebrows back at the station: in the question about the type of music featured, examples given are “bashment, R&B, garage,” styles that all happened to emerge from the UK’s black community. But the best part of the story is the spokesman against Form 696: Feargal Sharkey (above right), the former lead singer of The Undertones, whose goofball only-in-England name and terrible, silly ’80s solo hit “A Good Heart” makes him one of my favorite random references. Anyway, Feargal (chuckle) says that Form 696’s focus on the black community is “disproportionate, unacceptable and damaging to live music.” He even wrote an op-ed about it. One Londoner said musicians would likely refuse to fill out the form anyway. We’ll see where this goes, but in the meantime, let’s watch a Monty Python sketch about British police using silly voices, and Feargal Sharkey’s video for “A Good Heart.”

Monty Python – Silly Voice Police Sketch

Feargal Sharkey – “A Good Heart”

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

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And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

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