Indie 103.1 Goes Off the Air

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Indie 103.1Broadcast radio just got a whole lot less interesting, as Los Angeles alternative station Indie 103.1 has announced it will stop broadcasting today, turning to a web-only format. A statement on the station’s web site alluded to “changes in the radio industry and the way radio audiences are measured” which forces stations to “play too much Britney, Puffy and alternative music that is neither new nor cutting edge.” I love you Indie, but I have to say, that’s not exactly a new situation.

Indie was once called “the coolest commercial station in America” by Rolling Stone, but its existence has always seemed kind of tenuous. The station signed on five years ago to much fanfare, immediately achieving a cult-like status amongst a certain segment of Angelenos for its mix of alt-celeb hosts like Sex Pistol Steve Jones and bleeding-edge music: a recent playlist showed Delta Spirit, Santogold, CSS and Radiohead lodged in their Top 10. However, the station operated in a sort of legal limbo, owned by mostly-Spanish broadcaster Entravision and for its first two years used Clear Channel for advertising despite FCC rules about maximum station ownership in a market—not exactly “indie.” While the station’s ratings always hovered around a 0.5, industry insiders claimed the channel existed only to shave a few tenths of a point off of LA alternative juggernaut KROQ’s ratings (up in the 3s and 4s), allowing Clear Channel stations to reach #1 status among English-language radio listeners. A complicated little conspiracy, I know, but whatever Indie’s genesis, the station employed some great talents and played awesome music, offering up a youthful, edgy alternative to the often-a-little-too-yuppified KCRW. While its online broadcasts promise to be “only the best new music” on a medium where “the rules do not apply,” I’ll sorely miss driving around that sun-bleached town with Indie on the stereo, its crazy punk-rock tunes making the traffic jams feel like a party.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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