While Pitchfork’s positive (8.4) review compared this New York band to Ride and Peter Bjorn and John, all I can think of when I see their unrepentantly verbose name and hear their strummy, melancholy, addictive tunes is The Smiths. Actually, the delicate, often-buried vocals mean I suppose this can be called “twee,” but unlike the cutesy Belle and Sebastian, there’s substance and strength here. There’s the driving rhythm of “Young Adult Fiction,” the Hacienda beat of “Stay Alive,” and the Bowie-like skip of “A Teenager in Love.” While lead singer Kip Berman has none of Morrissey’s penchant for drama, he does have the Mozzer’s ability to find the most interesting, ear-pleasing notes, counterpoints to the major chords that surprise at first but then seem utterly natural. To anyone who lived through, I dunno, 1988, this sound may feel so familiar it may seem like a carbon copy of a long-forgotten album. But to me, it’s a a glorious renewal of a lost thread in rock music: a band that uses understatement to soar.
The Pains of Being Pure at Heart’s self-titled debut album is out now.
MP3s: “Come Saturday,” “Everything With You”
After the jump, the video for “Everything With You”