Review: “Benny,” by Alex Winston

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Right now is no time to come up short. It's time to fight like hell for a democracy where minority rule cannot impose an extreme and cruel agenda, where facts matter, and where accountability at the polls and in the press has a fighting chance. We have our work cut out for us, and we still need to raise upwards of 400,000 by June 30 to give it everything we can. Please help:

TRACK 9

“Benny”

From Alex Winston’s King Con

Liner notes: “Benny, Benny, takes my penny/Then he skins me to the bone,” trills Alex Winston on her portrait of a sketchy faith healer, embedding barbed observations in a sugary pop anthem.

Behind the music: Winston, a classically trained opera singer and Detroit native, got warmed up for her debut album with a covers EP featuring songs by the Rolling Stones and Mumford & Sons. The addictive King Con depicts a variety of fringe characters, from polygamists (“Sister Wife”) to rowdy Amish teens (“Run Rumspringa”) to pop-culture obsessives (“Velvet Elvis”).

Check it out if you like: Women who subvert shiny mainstream sounds to darker ends, such as Lily Allen, Lykke Li, and Gemma Ray.