Review: “Benny,” by Alex Winston


TRACK 9

“Benny”

From Alex Winston’s King Con

Liner notes: “Benny, Benny, takes my penny/Then he skins me to the bone,” trills Alex Winston on her portrait of a sketchy faith healer, embedding barbed observations in a sugary pop anthem.

Behind the music: Winston, a classically trained opera singer and Detroit native, got warmed up for her debut album with a covers EP featuring songs by the Rolling Stones and Mumford & Sons. The addictive King Con depicts a variety of fringe characters, from polygamists (“Sister Wife”) to rowdy Amish teens (“Run Rumspringa”) to pop-culture obsessives (“Velvet Elvis”).

Check it out if you like: Women who subvert shiny mainstream sounds to darker ends, such as Lily Allen, Lykke Li, and Gemma Ray.


 

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In "It's Not a Crisis. This Is the New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, how brutal it is to sustain quality journalism right now, what makes Mother Jones different than most of the news out there, and why support from readers is the only thing that keeps us going. Despite the challenges, we're optimistic we can increase the share of online readers who decide to donate—starting with hitting an ambitious $300,000 goal in just three weeks to make sure we can finish our fiscal year break-even in the coming months.

Please learn more about how Mother Jones works and our 47-year history of doing nonprofit journalism that you don't elsewhere—and help us do it with a donation if you can. We've already cut expenses and hitting our online goal is critical right now.

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