Short Takes: “Inventing David Geffen”

Inventing David Geffen

PBS

114 minutes

If nothing else, this film reminds us just how ubiquitous David Geffen is. “The music culture, a show-biz culture, the motion picture culture,” says Tom Hanks. “He built it.” This funny, fast-paced documentary uses interviews with old friends, A-list stars, and Geffen, 69, to chart how a Jewish kid from a modest Brooklyn household became a media magnate adored and reviled for his relentless cultivation of talent from Dylan to Nirvana—a man who produced films like Beetlejuice and Risky Business, helped launch Broadway’s Dreamgirls, and still found time to schmooze with presidents, date Cher (even though he’s gay), and sue Neil Young. Highlight: Geffen describing his early career at the William Morris talent agency, where he honed his talent for spewing “bullshit on the phone” and essentially conned and lied his way to the top.

This review originally appeared in our November/December issue of Mother Jones.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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