Review: Radiation City’s “Animals in the Median”

Meet Portland's Radiation City.Shannon Woolf

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Radiation City
Animals in the Median
Tender Loving Empire

Dreamy and wistful is the default mode for plenty of modern bands that haven’t figured out who they want to be when they grow up, but the striking Portland, Oregon quintet Radiation City shows how to do it right. Their second album, Animals in the Median, shimmers like a unearthly mirage, weaving together misty melodies, analog electronics and the siren vocals of keyboardist Lizzy Ellison to create a poignant sense of faded optimism and missed opportunities. Hazy gems such as “Wash of Noise” and “Lark” echo the melancholy retro-futurism of Stereolab, albeit with a more delicate touch, while the gauzy “Wary Eyes” evokes the gently eerie sensation of hearing soft music from another room at 3 a.m. Ellison and company could create a great soundtrack for David Lynch.

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DEMOCRACY DOES NOT EXIST...

without free and fair elections, a vigorous free press, and engaged citizens to reclaim power from those who abuse it.

In this election year unlike any other—against a backdrop of a pandemic, an economic crisis, racial reckoning, and so much daily crazy—Mother Jones' journalism is driven by one simple question: Will America will move closer to, or further from, justice and equity in the years to come?

If you're able to, please join us in this mission with a donation today. Our reporting right now is focused on voting rights and election security, corruption, disinformation, racial and gender equity, and the climate crisis. We can’t do it without the support of readers like you, and we need to give it everything we've got between now and November. Thank you.

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