“This Is the End”: It’s “Left Behind” for Potheads

Left to right: James Franco, Jonah Hill, Craig Robinson, Seth Rogen, Jay Baruchel, Danny McBride.Courtesy of Columbia Pictures

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This Is the End
Columbia Pictures
85 minutes

You remember Left Behind, don’t you? It’s the Christian-apocalypse film series (based on the books) starring conservative activist and former Growing Pains star Kirk Cameron. The three film adaptations are critically panned train wrecks that portray the Rapture by casting a fictional United Nations secretary general as the Antichrist.

There is quite literally no fathomable reason for you to watch the Left Behind movies. But do go see This Is the End, which is essentially the same thing, only instead of bizarre and awful politics, there’s Emma Watson brandishing a gigantic ax.

The film stars a bunch of celebrities and Apatow-crowd comedians, mostly portraying oblivious, gleefully mean-spirited versions of themselves. Jay Baruchel is in Los Angeles to visit (and more importantly get epically stoned with) his pal and sometimes collaborator Seth Rogen. They soon head over to James Franco‘s house for an all-night rager, that includes Michael Cera snorting thick mounds of cocaine, having group sex, and sexually harassing Rihanna. Actors Jonah Hill, Danny McBride, Craig Robinson, and Emma Watson are there, as well, to engage in Franco-hosted hedonism.

All the sex and partying is abruptly halted when the Rapture commences. Good people are beamed up safely to Heaven, and bad people (like self-absorbed and debauched actors) are left to wallow behind on a planet now overrun by large demons, terrifying creatures, and cannibalistic hordes. James Franco’s party is further ruined when several of his guests—including Rihanna and Mindy Kaling—fall into a big hole in Franco’s front yard and are swallowed up by the lava-rich depths of Hell. The surviving partygoers barricade themselves in the house, and rapid-fire hilarity ensues.

This Is the End is a fiendishly good, densely vulgar ensemble comedy that features a killer soundtrack and some exquisite comic timing. It marks the directorial debut of Rogen and Evan Goldberg, the writing duo behind comedies such as Superbad and Pineapple Express. Highlights include an extended shouting match between Franco and McBride—in which the two wrathfully declare how they plan to “jizz” and “cum” on each other during the apocalypse—and a deliciously sardonic send-up of The Evil Dead and The Exorcist that shows (the Oscar-nominated) Jonah Hill in top form.

The film nabbed an early Wednesday release, leaving the Friday premiere date wide open for the much-anticipated and (for the most part) humor-free Man of Steel. For my money, This Is the End is by far the better—and more thrilling—of the two.

Check out the trailer:

This Is the End gets a wide release on Wednesday, June 12. The film is rated R for crude and sexual content throughout, brief graphic nudity, pervasive language, drug use and some violence. Click here for local showtimes and tickets.

Click here for more movie and TV coverage from Mother Jones.

To read more of Asawin’s reviews, click here.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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