Iranian Government Has No Comment On John Malkovich Invading Their Embassy, Killing Revolutionary Guards

Screenshot: <a href="http://www.youtube.com/watch?v=SmLdqU377kA&feature=c4-overview-vl&list=PLQMiRykNdb9gMMVtXlx_9n28NcwauZ4Be">Summit Entertainment</a>

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In the just released action-comedy RED 2, the main characters—an offbeat band of retired Western intelligence operatives and assassins—invade the Iranian embassy in London, take part in a large-scale firefight and car chase, and end up killing probably dozens of Revolutionary Guard troops who happen to be stationed at the embassy.

Assuming RED 2 takes place in present day, the scene takes place at a fictional embassy. In November 2011, the British ordered the immediate closure of the Iranian embassy in London after the British embassy in Tehran was stormed by demonstrators. (The embassy sequence was shot at Fishmongers’ Hall in London.)

So, what does the Iranian government have to say about Bruce Willis, Helen Mirren, John Malkovich, and Mary-Louise Parker starting a fictional bloodbath on Iranian soil? It may seem petty and beneath the dignity of a foreign government to address something like this, but keep in mind that last year, Iranian officials plotted to sue Hollywood because they thought Best Picture winner Argo was an “unrealistic portrayal” of their country. Years before that, Zack Snyder‘s hit action film 300 elicited similar emotions from state authorities.

For the time being, it looks like they might let this one slide. Officials at Iran’s Ministry of Culture and Islamic Guidance and the office of the president had no comment on John Malkovich invading their fictional embassy (although one did say that he would look into it).

The RED 2 publicity team for Summit Entertainment, the studio distributing the film, could not be reached for comment.

RED 2 gets a wide release on Friday, July 19. The film is rated PG-13 for pervasive action and violence including frenetic gunplay, and for some language and drug material. Click here for local showtimes and tickets.

Click here for more TV and film coverage from Mother Jones.

To read more of Asawin’s reviews and culture reporting, click here.

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In this election year unlike any other—against a backdrop of a pandemic, an economic crisis, racial reckoning, and so much daily crazy—Mother Jones' journalism is driven by one simple question: Will America will move closer to, or further from, justice and equity in the years to come?

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