The Evan Rachel Wood Oral Sex Scene the MPAA Doesn’t Want You to See

<a href="http://commons.wikimedia.org/wiki/File:Evan_Rachel_Wood_portrait_2009.jpg">David Shankbone</a>/Wikimedia Commons

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.


Last week, actress Evan Rachel Wood was royally pissed on Twitter. This time, it was over her edited and sanitized sex scene.

When Wood saw the R-rated theatrical version of Charlie Countryman, her new indie action-comedy, she noticed a conspicuous absence of cunnilingus. According to Wood, the Motion Picture Association of America (MPAA) forced director Fredrik Bond to cut images of Shia LaBeouf‘s character performing oral sex on Wood’s character in order to secure an R-rating for its November release (as opposed to an NC-17 rating, which can tank the commercial viability of a film). Over several tweets, Wood took aim at the ratings board’s double standard on female sexuality and pleasure on-screen. Via the Los Angeles Times, here’s what Wood said in her tweets:

After seeing the new cut of Charlie Countryman, I would like to share my disappointment with the MPAA, who thought it was necessary to censor a woman’s sexuality once again. The scene where the two main characters make “love” was altered because someone felt that seeing a man give a woman oral sex made people “uncomfortable,” but the scenes in which people are murdered by having their heads blown off remained intact and unaltered.

This is a symptom of a society that wants to shame women and put them down for enjoying sex, especially when (gasp) the man isn’t getting off as well! It’s hard for me to believe that had the roles been reversed it still would have been cut or had the female character been raped it would have been cut. It’s time for people to grow up. Accept that women are sexual beings. Accept that some men like pleasuring women. Accept that women don’t have to just be fucked and say thank you. We are allowed and entitled to enjoy ourselves. It’s time we put our foot down. Thanks for listening.

The MPAA, which serves as the de facto censorship board for American cinema, has a well-documented double standard when it comes to things like gay sex and certain aspects of female carnality (when comparable scenes of a heterosexual or male-centered nature will usually slide by with an R-rating without a hassle). For instance, the 2010 drama Blue Valentine was slapped with an NC-17 rating due to a scene in which Ryan Gosling’s character performs oral sex on Michelle Williams’ (the ruling, however, was overturned). And, yes, Wood was right to point out the MPAA’s peculiar views on sex vs. extreme violence. The MPAA did not respond to Mother Jones‘ request for comment regarding Wood’s criticism.

So what could possibly have been in that scene that troubled the MPAA so much? I’m still trying to track down the nixed shots—perhaps those of us who didn’t see an early cut of the film at a festival screening will have to wait until the DVD to see what the fuss was about. For now, here’s how the supposedly obscene moment played out on the page. The following portion of the script was sent to Mother Jones by Charlie Countryman screenwriter Matt Drake, who also co-wrote the raunchy 2012 comedy Project X. (Scroll to the bottom of this post to read the whole scene.) Here’s the relevant section:

Charlie Countryman sex scene

Courtesy of Matt Drake

“I didn’t choreograph specific sex acts as much as I tried to convey a certain mood and tone,” Drake said in an email. “I’m not aware of how it all went down with the MPAA. As to how the scene was staged, that would have been done on the day among [Fredrik], Shia and Evan in a closed setting.”

Check out the scene below:

 

WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

payment methods

WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate