‘Strange Wilds’ Creates Disruptive Noise

Test ticker

Monika Bauerlein,
CEO

Dear Reader,

The next few months are make or break for Mother Jones’ fundraising, and we need more online readers to pitch in than have been of late. In "It's Not a Crisis. This Is the New Normal," we take a level-headed look at the brutal economics of journalism, why investigative reporting like you get from us matters, and why we're optimistic we can grow our base of support in a big way—starting with hitting a huge $300,000 goal in just three weeks. Please learn more and donate if you can right now.

The next few months are make or break for Mother Jones’ fundraising. We need to raise $300,000 quickly, and we need more online readers to pitch in than have been. Please learn more in "It's Not a Crisis. This Is the New Normal," where we go into the brutal economics of journalism, and what makes Mother Jones unique and worth supporting if you can right now.

Strange Wilds
Subjective Concepts
Sub Pop

Nasty, brutish, and relentlessly thrilling, the Olympia, Washington, trio Strange Wilds grinds up abrasive rock’n’roll ingredients and spews ’em out as one glorious wave of disruptive noise. These raucous youngsters have thoroughly schooled themselves on early punk, thrash metal and grunge (with a big debt to Nirvana’s pre-Nevermind vibe), but Subjective Concepts sizzles like a brand-new inspiration. And for all the bruising chords, crashing drums, and wounded-beast vocals, it’s not hard to find some solid songs amidst the storm. “Starved For” echoes Chris Bailey’s Saints, while “Oneirophobe” finds singer-guitarist Steven (no last names used here) growling, “I feel fine, I feel okay/Just so scared of the everyday” as he tries to make sense of it all.