Film Review: “The Hand That Feeds”


The Hand That Feeds

JUBILEE FILMS

At the beginning of The Hand That Feeds, Mahoma López, an undocumented Mexican immigrant, records a coworker counting out the $290 he’s just received for a 60-hour workweek in a deli on New York City’s ritzy Upper East Side. The film feels like a familiar tale of exploitation and wage theft, until López and his Hot & Crusty coworkers stand up and fight back. In this behind-the-scenes look at the ensuing labor dispute, directors Rachel Lears and Robin Blotnick lead us through the struggles and eventual triumph of López & Co. as they enlist the help of activists and, notably, a group of Occupy Wall Street-influenced twentysomethings. Despite the film’s narrow focus—which leaves out some much-needed context about the treatment of immigrants in the restaurant biz—it’s an inspiring tale.
 

Correction: The original version of this review, which appeared in our November/December issue, misidentified the person counting out money at the start of the film.

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DEMOCRACY DOES NOT EXIST...

without free and fair elections, a vigorous free press, and engaged citizens to reclaim power from those who abuse it.

In this election year unlike any other—against a backdrop of a pandemic, an economic crisis, racial reckoning, and so much daily crazy—Mother Jones' journalism is driven by one simple question: Will America will move closer to, or further from, justice and equity in the years to come?

If you're able to, please join us in this mission with a donation today. Our reporting right now is focused on voting rights and election security, corruption, disinformation, racial and gender equity, and the climate crisis. We can’t do it without the support of readers like you, and we need to give it everything we've got between now and November. Thank you.

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